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Full text of "A Selection of Popular National Airs with Symphonies and Accompaniments by Sir John Stevenson MusDoc [Henry R. Bishop]. The Words by Thomas Moore, Esq., Vol. 1-3, J. Power, London, 1818-1822"

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ADVERTISEMENT. 



It is Cicrro, I believe, who says “ naturA ad modos ducimur f and the abun- 
dance of wild, indigenous airs, which almost every country, except England, possesses, 
sufficiently proves the truth of his assertion. The lovers of this simple, but interesting, 
kind of music arc here presented with the First Number of a collection, which, I trust, 
their contributions will enable us to continue. A pretty air without words resembles 
one of those half creatures of Plato, which are described as wandering in search of 
the remainder of themselves through the world. To supply this other half, by 
uniting with congenial words the many fugitive melodics which have hitherto had 
none, or only such as arc unintelligible to the generality of their hearers, is the object 
and ambition of the present work. Neither is it our intention to confine ourselves 
to what arc strictly called national melodies, but, wherever we meet with any wan- 
dering and beautiful air, to which Poetry has not yet assigned a worthy home, we 
shall venture to claim it as an estray swan, and enrich our humble Hippocrenc with 
its song. 

It is not, indeed, without strong hopes of success that I present this First Number 
of our miscellany to the Public. As the music is not my own, and the words arc little 

t 

more than unpretending interpreters of the sentiment of each air, it will not perhaps 
be thought presumption in me to say, that I consider it one of the simplest and 
prettiest collections of songs to which i nave ever set my name. 



T. M 




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INDEX. 



TITLES. AIRS. 



All that's bright must fade ! 


- Indian 


- 


• 


P*r.p 

- 9 


A Temple to Friendship 


- Spanish 






1 


Dost thou remember ? 


- Portuguese 


- 


m 


- 34 


Fare thee well ! thou love/p One ! 


- Sicilian 


- 


• 


- 31 


Flow on, thou shining River ! - 


- Portuguese 


- 


• 


- 4 


Oh! come to me, when Daylight sets 


- Venetian - 


- 




- 44 


Oft in the stilly Night 


- Scotch 


- 


• 


- 51 


Reason, Folly, and Beauty 


- Italian 




- 


- 25 


Should those fond Hopes 


- Portuguese 


- 


- 


- 22 


So warmly we met 


- Hungarian 


- 


- 


. 16 

• 


Those Evening Bells - 


- The Bells of St. Petersburg 


- 19 



INDEX 

TO 

THE HARMONIZED AIRS. 



All that's bright must fade ! 


- Duett 


- Indian 


- 


- 12 


Dost thou remember ? 


- Ditto 


- Portuguese 


- 


- 38 


Flow on, thou shining River ! - 


- Ditto 


- Ditto 


- 


. 6 


Ilark ! the Vesjter Hymn is stealing 


- Glee 


- Russian 


- 


- 54 






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1 

A Temfle to Friendship.* 





“A Temple to Friendship’ ’said Laura, enchant. ed,‘ 4 1 11 build in this garden, the 





thought is divine! Her Temple was built _ and she now only wanted An 





image ot Friendship to place on the shrine. She flew to a sculptor, who 







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★ The thought i % taken from a Son-. 4»\ I.i* Prieur, railed ‘‘La St'tue de l’AmiHc*’/ * 



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set down before her A Friendship, the fairest his art could invent, But so 




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cold and so dull, that the youthful a.dorer Saw plainly this was not the 




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i_dol she meant. 



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Oh! never^she cried' could I think of .enshrining An image, whose looks are so 








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joyless and dim; But yon lit— tie God, up. on 




ros.es re. clin.ing , We’ll 



make, if you please, Sir, a Friendship of him. So the bargain was struck.with the 















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lit-tle God laden She joy- ful.Iy flew to her shrine in the grove- Far*. 



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well , said the sculptor ‘you’re not the first maiden, \4~ho came but for Friedship and 











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ay.Tiior siumxvr' HitjkH. 



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Flow on, thou shining ri _ ver. But, ere thou reach tli 



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sea. Seek Klla s how r and give J?er The wreaths I fling o’er thee. And 



tell her thus, "it* she’ll, be mine, The current of our lives shall be, With 



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joys a_longtheir course to shine, Like those sweet flowrs on the« 



I I I H /HUH 




find^tshe mocks my p^ayV, Then leave those wreaths to wi _ ther Un 




cold hank there^ And tell her thus, wl£n youth is o’er. Her 









lone and loveless charms shall he Thrown by 



upon 



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life’s weedy shore, Lik< 



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' J'LUWOX.T’J'JOr SliLXIXG Buyer 



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Flow on, thou shinning ri - ver, But, ere thou • reach the sea 




Flow on, thou shin_ing ri - ver, But, ere thou reach the sea 



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El-las bowr and give her The wreaths I fling o er thee 



El-las howV and give her The wreaths I fling o'er thee 




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her thus, if shell be mine. The' current of our lives shall be,With 




And tell her thus, if she'll be mine, our lives shall be, 











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With joys to shine Like those sweet flowrs on thee. 







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But if, in wand’ring tni _ ther.Thou findst she mocks my prayY, Then 
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But if, in wand’ring thi - ther,Thou fnTd st she mocks my prayr, Then 




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leave those wreaths to wi _ ther Up - on the cold bank there . And 




leave those wreaths to wi _ ther Up _ on the cold bank there . 




tell her thus, when youth isoer,Her lone and loveless charms shall be Thrown 

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And tell her thus,when youth is o’er, Her charms shall be 





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upon life’s weedy shore, Like those sweet flow rs from. thee. 




up *. on life’s shore, Like those sweet flow Vs from thee. 










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All that's bright must fade.' 








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All that’s bright must fade, The brig;hi_est still the fleetest. 





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All . that’s bright must fade, The brightest still the fleetest. 




Mho would seek or prize Delights that end in aching? Mho would trust to 

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All that’s hiuoiit mfst fa d jk . 



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All thats bright must fade, 

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The brightest still the fleetest, 
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All thats bright must fade, 



The brightest still the fleetest, 





All thats sweet was made But 

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to be lost . when sweetest . 




All thats sweet was made But 



to be lost when sweetest . 




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I I I H /HUH 



Stars that shine and fall, _ The flow’r that drops in springing, These a_las! are 




Stars that shine and fall, The flow’r that drops in springing. These a.las! 






are 




°[ 7° w hich our (hearts are clinging. All that’s bright must fade, The brightest 

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types of all To which our hearts are clinging. All that’s bright must fade, The bright^ 




still the fleetest, 




stl |^he fleetest, All thats sweet was made But to be lost when sweetest* 

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sweetest! 




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16 



Ho WARMLY WE 31 ET. 



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fondly we parted, That which was the sweeter ev n I could not tell. That 



first look of welcome her sunny eyes darted, Or that tear of passion which 



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blessd our farewell. To meet was a Heav n_ and to part thus an.other ,Our 







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glowing and deep, as *tis near.er it* set. Our meet_ing,tho’ happy, was 





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tinfr d. by a sorrow,To think that such happiness could not remain, While our 





parting, tho’ sad, gave a hope that tomorrowWould bring back the blest hour of 




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Those EVxino Hells. 

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19 




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Those ev’n_ing bells, those evn-ing bells. How many a tale their 




mil- sic tells Of youth and home and that sweet time, When last 




heard their soothing chime! Of youth and home and that sweet time, When 




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last 1 heard their sooth-ine chime! 




^ 1^ "’dl he pern-i veH that thi* h**r** m th«* \t rn*np*n?t*ie”t . 







20 



Those joy.ous hours are past a - way. And many a heart, that 



then was gay. With -in the tomb now dark-ly dwells And hears no 



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more those evening bells , With- in the tomb now darkly dwells And 



hears, no more those evening bells 




I I I H /HUH 



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And so ’twill be, when I am gone, That tuneful peal will still ring 





on, While o - ther bards shall walk these dells. And sing your praise, sweet 








praise, sweet ev ning bells! 












SJMVI'LD YUOSli :!’‘0;Y'l) UQIMiS 



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* Should those fond hopes e’er forsake thee, Which now so sweetly thy heart em 




piny. Should the cold world come to wake thee From all thy 



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* The metre of the word. U here necesoriU inrrifired to the A 





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round; But when chill’d by bleak December, Upon our threshold a welcome still 





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BKAUTY. 




Beauty, who likes to ho thought von* sago. 
Turn VI for a moment to Reasons dull page. 

Til! follv said 

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Look lion* swoot maid! 

I'lu* s i«x!i t of his cap brought her back to herself; 



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/j'Ui/r/t /‘ublish^i Jpnl Xifr/A. h\ JU‘r*,. r % 't fjtnin</. 






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Klasox Folly a?? 



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rD BEAFTY. 

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Reason and • Folly and Beauty, they say, Went on .a 



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par-ty of pleasure one day* Folly playd Around the maid, The bells of his 



Cap runp merri-ly out, While Reason took to his sermon - book__ Oh which was the 



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pleasanter no one need doubt, no , no, no, no 



Which was the 




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pleasanter no one need doubt. Which was the pleasanter no one need doubt 




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Beau_ty,who likes to be thought ve _ ry sage, Turnd for . a 



moment to Reason’s dull page,’Till Folly 





said Look here, sweet 




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maid! — Tl«e sight of his Cap brought her back to her _ self {While Reason 





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read His leaves of lead, With no one to mind him, poor sen_si_ble 















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sen -si .hie elf! 

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no one to mind him, poor sen_si_ble elf! 








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Then Reason prew jea_]ous of Fol — lys pay ( ap. Had he that 









sun, Theres no such fun As Reason with my Cap and bells on . his 

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Rea. son with my Cap and 








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hells on his head! Reason with my Cap and bells on his head! 



But Reason tile headdress so awkwardly 



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wore. That Beauty now lik’d him still less than be - fore, While Folly 



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took Old Rea. son’s book, And* twist- ed the leaves in a Cap of such 






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$A1\ 115 THEE WEUJHOr LOTJiLr O.TE! 

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words,whateer their flatt ring spell, Could scarce have thus de_ceiv’d, But 




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ad i »•#: 



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eyes that act. ed truth so well Were sure, to be be. liev’d. .Th 

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fare .thee well, thou lovely one! Love . ly still, but dear no more: 



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Once his soul of Truth is gone. Loves sweet life is oer 




Yet those eyes look constant still. True as stars they keep their light, 






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366 . 

I»rpc*pf*din*r Sontr am l»v flip Au'hnr of fh» word** 



Th*« Svmphontp* of thi* and *h.« 



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'ty 



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still those cheekstheir pledge fulfill Of blushing always bright. Tis onJy on thy 




there alas! he dies. Then, fare thee well, thou . lovely one! Lovely still, but 
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dear no morejOnce his soul of Truth is gone, Love’s sweet life is oer. 



34 



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Dost thou re-member that place so lone_ly, A place for 







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lovers, and lovers on_Iy, "Where first I told thee all my secret 





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part, no no no no no no no never, nevermore to part, no no no no no no no 




366 




I I I H /HUH 








956 

The thought in thin vorne in hormuMil •Vom «h •* nri**-nni Porf*«*n»en worn*. 



I I I H /HUH 






37 





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best, : Thy Soul thy Souls the name that I love best. 




ne.ver, never parts from thee, no no no no no no no ne.ver 




never parts from thee, no no no no no no no never, never parts from 





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D O IS T TM O V H EM EM .15 E E . 



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Dost thou remember that place so lonely, A place for 

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Dost thou remember that place so lonely, A place for, 



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lovers, and lovers on _ ly, Where first 1 told thee all my secret 







I I I H /HUH 






if 




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When, as the moon-beam that trembled oer thee Illum’d thy 





When, as the moon-beam that trembled o’er thee Illum’d thy 





blushes, . I knelt be. fore thee. And read my hope’s sweet triumph in those 




blushes,.. 1 knelt be_fore thee. And read my hope’s sweet triumph in those 





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eyes. And read my hopes sweet triumph in those eyes. 

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eyes. And read my hope’s sweet triumph in those eyes. 






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40 



e*pre*a lentanHo 




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Then, then while closely heart was drawn to heart. Love bound us 



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Then, then while closely heart was drawn to heart. Love bound us 




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lentnndo 



a tempo 



lentanHo 




never, never more to part, no no no nono nono never, nevermore to part, no no no 

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never, never more to part, no no no nono no no never, never more to part, no nono 





no no no no never, never more to part: 




I I I H /HUH 



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* And when I call’d thee by names the dearest That Love could 

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And when I call’d thee by names the dearest That Love could 




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fan-.cy, the fondest, near - est, * ‘ My life, mv on.ly life among; the 

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rest, ‘‘My life, my on - ly life^ among* the rest. 




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Of The thought ip this Terse is borrowed from the original Portuguese Word s 







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In those sweet accents that still en-thrall me , Thou saidst “ah! 

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In those sweet accents that still en-thrall me, Thou saidst “ah! 






wherefore thy Life thus call me? Thy Soul, thy Souls the name that I love 

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wherefore thy Life .thus call me? Thy Soul, thy Souls the name that I love 





best, .Thy Soul, thy Souls the name that I love best . 




best, Thy Soul, thy Souls the name that I love best. 




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For life soon passes, but how blest to be That Soul which never, never parts from 

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For life soon passes, but how blest to beThatSoul which never, never parts from 



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lentando 



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lentando 



thee^no no no no no no no never, never parts from thee, no no no no no no no 

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never,, never parts from thee! 
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never, never parts from thee! 



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I I I *r /HUH 



4* OH CO.TJE TO M'J& W:\Ui ;DAY L'lGHT SET .S. 

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Oh come to me, when day- light sets, .Sweet! then come to 



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me; When smoothly go our gondolets Oer the moon-light sea. . Wher 



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mirths a .wake and Love begins, Be- neath that glanC-ing ray, Witl 




sound of lutes and mando.lins To steal young- hearts a -way. . Oh 






smoothly go our gon.dolets O’er the moon - light sea. 




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I I I H /HUH 



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ill’s so calm be_low, a_bove,In heavn and oer the sea. "’hen maidens 



sinff sweet barcarolles>And Echo sings a_gain, So sweet, that all with ears and 



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souls Should love and lift. ten then. So come to me, when day-light sets. 









• r r . r r 

Sweet! then come to me, When smoothly go our gondolets Oer the moon light sea 







# Barcarolle* , sorte de Chansons en langue nitienne , quo rhantent les Gondoliers a Wnijc 

Rousseau, Dictionnaire de Musique • 9JZR 



On row K TO AIK AYIIK1Y DAY 



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LHOJIT SETvS, * 7 

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Oh come to me, when day-light sets. Sweet! then come to me; When 





smoothly go our gon_d 



^ ' ' I j ** 1" t ■ ] ^ ~ ~'~ r -~Cd : 

o - lets -*■ Oer the moon-light sea. W hen 




irthsa-waLe and Love begins, Be.neath that glancJng ray> M' 




356 



* I .a Biondma in gondolftta . 



I II H /HUH 







of lutes and mando.lins To steal young- hearts k a - way 

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sound ;of lutes and mando-lins To steal young; hearts a. way. Oh 









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come to me, when day- light sets. Sweet! then come to me. 











come to me, when day- light sets. Sweet! then come to me, . When 





smoothly go our gon.do.lets Oer the moon-light sea. 

N » - - ■ I K . ^ 



I I I H /HUH 



49 



Oh! then s the hour fop those who love Sweet! like thee and me ; Wh« 



Oh! then's the hour for those who love Sweet! like thee and me ; 



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alls so calm be _ low, a. hove. In heavn and o'er the sea 



all’s so calm be _ low, a.bove. In heavn and o'er the sea. 



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maicLens sing sweet bar. ca.rolles, And E.cho sings a. gain. 



maicLens sing sweet bar. ca.rolles. And E.cho sings a _ gain , 








I II H /HUH 




smoothly go our gon_ da-let* 



O’er the moon-light sea. 



mi 



I I *4 / HUH 



OFT f r? T ill E .S T ;i L L Y I (i U 7 4 

V /ry/r/z * / / /'. 



fifi 






^ ^ ^ 

Oft in the stil.ly night, Ere slumber’s chain has bound me, 



Fond, mem’ry brings the light Of o.ther days a _ round me. The 



smiles, the tears of boy-hoods years, The words of love then spok.en, .The 




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l lAiRKi THJB VjRSJPEK HrMJSC 113 STRALHSTd. 

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ves_per hymn is stealing; O’er the waters soft and clear; 



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Near.er yet and near_er peal.ing;, Now it bursts up _ on _ the ear 









Ju - bi _ - la _ _ te 



A „ _ men 




A _ _ men. 



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#66 




I II H l HUH 



Ju bi - la _ te Ju -bi - la _ te Ju - bi - la - te A men 



Ju . bi - la -te Ju - bi - la - te Ju - bi - la _ te A _ _ _ men 



Ju. _ bi la - te Ju -bi - la - te Ju - bi-la - te A - - - men 



Ju - bi - la - te Ju - bi - la - te Ju - bi - la - te A - - - men 



Far-ther now, now far-ther steal- ing. Soft it fades up - on the ear 



Ju- - - bi - - - la - - te 



A - - men 



A . - 



men 



Ju. - - bi - - - la - - te 



A - - - 



men 



A _ - men 



Ju - - bi - - - la _ - te 



A - - 



men 



A - _ 



men 



866 



♦ ThU passage is added to the original Air by Sir John Stevenson. 



I I I H /HUH 



Far.ther now, now far.ther steal. ing. Soft it facie up. on the ear. 




Now, like moonlight waves retreat- ing To the shore, it dies 



- I° n Jf 






^ • 




II I H /HUH 



«5 











!1JZ 



I II H /HUH 



.;v 



/»/» 



Hush! a. gain, like waves retreat_ing To the shore, it dies a _ long 




Ju _ - _ b i _ _ _ la _ _ _ te 



A _ _ _ men 



A _ - men 



Ju - - . bi. . . la _ _ _ te 



A _ _ _ men A - - men 



Ju 



A - . -men 



A - - mei 



Hush! a _ gain, like waves retreat- ing To the shore* it dies a - long . 



Ju - bi - - - la _ - te 



■ 

A - - 



men 



- - men 




- - men . 















1 

1, i 





*3- * »;3 J 


. 

L g 


See? 




1 1 -- 'r 
1 




- ■ > • i i r 


3 


y ■ — 


— > 


A B JI - 

j j. in. ~ 









A SSjLSCTION OF 

IPCDIPTFILAM MATPKDNA1L A1EBS 

HERMIT M. BISHOP. 

72 ^ 'Words by 

THOMAS M®©IEIE * E§(Q)* 




X Of AWN BT THO* Sr-TTHABI. HA 



L O N Ji> ON. 

Published JanT 1.1820. by X Power. M Strand. 



n 



( Srccnd Jl umber J 





I II H /HVO 







( 




/ 



s//YZ//f'//rj 




( ./' ' / 
'sf/Ajarwy/r 



/ 




V ( 



) 



/y.s yy J \ 









[SECOND EDITION.] 

INDEX 

TO 

THE SECOND NUMBER. 



TITLES. 

Come , chase that starting Tear away 
Common Sense and Genius 

Gaily sounds the Castanet 

Hear me but once 

Joys of Youth , how fleeting 

Love and Hope 

Love is a Hunter-Boy 

My Harp has one unchanging Theme 
Oh ! 7io — not e'en when first we lov'd 

Peace be around thee 

Then fare thee well 

There comes a time 



AIR9. 



French 

Ditto 

Maltese .... 

French 

Portuguese . 

Swiss 

Languedocian 
Swedish .... 
Cashmcrian . 

Scotch 

English 

German . . . 



PAGE 

99 

83 

92 

109 

103 

59 

96 

69 

72 

76 

88 

65 



INDEX 

TO 

THE HARMONIZED AIRS. 



Hear me but once 

Joys of Youth , how fleeting 
Peace be around thee .... 



Duett. .. .French .. 
Ditto. . . . Portuguese 
Ditto. . . .Scotch . . . 



Ill 

106 

79 



II IH r 



T~.», 




LOVE A Vl> HOPE. 



. 69 




At morn, be -side yon summer sea. Young 




366 



M I *4 /HVO 



. if 







I I I *4 fHVO 






t !• 



I I I *T 






62 





i l I *r 



63 



v w 

it is not Love’s , it is not is not Love’s ! 



^ ' i r 

An-other sail -ftwas Friendship show d Her night-lamp o’er the sea; And 



i w • 

the light that lamp bestow’d, But Love had lights that warmer glow’d, And 



where, alas! was He? And where, alas! was He? 






I *4 



W ■ 

Now fast ..round the sea and shore Night threw her dark _ ling 



chain; % The aun.ny sails 



were seen 



no more, Hope’s 






bliss were o’er. 



ne.ver came 






65 



THERE COMES A TIME. 






r/z/a/t 



f ///\ ) 



" ^f/r/Zr'/ ,t //>//> 

<tM{/ 

Z///Z ^ 





There comes a time, a dreary time. To him, whose heart hath flown Oer 



all the fields of Youth’s sweet prime. And made each flow’r its own. ’Tis 




III 




Mr- r.cji- 



t^ ens jh^J}our^^o^ die at once, For life has nought be _ yond._ A» 





II all the fields of Youth’s sweet prime,And made each fWr 



own ! 




366 



When sets the Sun on Africa shore , That instant all is night. And 





like . our northern day gleam on Thro* twilight’s dim de _ lay _ _ The 




3.56 



M I H HUJ 



68 



cold re mains of lustre gone. Of fire , long pass’d a _ way. - 



Oh 



1 r I r ' ' f 

yes, that time, that dreary time, To him, whose heart hath flown O er 



all . the fields of Youths sweet Drime. And made each flowY its 




i 




II I H 






My Harp has Oi\e,ochmgingTheme. 





ps 




o’er Its languid chord, as ’twere a dream Of Joy that’s now no 





3 



more 



J, ! J Sr; '1 r ■ ri! 



W W 

In vain I try with livelier air To wake the breath - ing 



. v. 

i . i 

I *• 








4 




! 




! 

I 



•y 5G 



t.' 






tone. Yet oft thou’rt sweet, as if the sigh, The breath that Pleasured 



wings 



Gave out, when last they wan _ ton’d by, Mere 



still upon thy strings 



crei 



i • amors 



calando 






72 



OH!NO > T OT EV*X WHEX FIRST "WE LOV’D. 

Oeu/i Msrcavi < Y/r. 



Y/t. '/Yrt/rt/z/r. /tt/tr 

////'/ /ft' 

f/Mt/ - /rttf/ri/jj,. 




Oh!, no- not evn when first we lov’d. 



Wert thou as dear .as 



i.rei i — 


3 


* — *•— 




— 


n 






— 



now thou art; Thy beauty then my sens - es mov’d, 



But now thy vir - tues bind my heart 



What was but 





I II H 







\ 











1 

* 



• 1 






















76 




seemd to love thee more. Yet, Oh! I love thee better .better 





366 



91111 



i I i*t 



77 



smiling around thy sunny way! If sorrow eer this calm should break. May 



i i i i • i 




evn thy tears pass off so light- ly. Like spring-show Vs, they’ll 



cre» 




PP 



i i i 



on ly make The smiles that fol - low shine more brightly! 



cre» 






May 



dolse sosteni 



N cre r 





■ 




I *4 HWv) 




PEACE BE AROOD THEE. 







Soave 




Peace, be around thee,wher - ever thou rov’st. May life be for thee, one 

Som 




Peace bewher-ever thou rovat. 



May life be one 




summers day. And all that thou wishest and all that thou lovst Come 




9ro 






^ t '1 » 





Come smiling; a » round thy way ! If sorrow e’er this calm should 





break, May evn thy tears pass off so light_ly, Like spring show , rs,they , ll 




1 w 

break, May evn thy tears pass off so light-ly, Like spring showVs jthey’ll 




on - - ly make The smiles that fol - low shine more bright_ly \ 




on ly make 



The smiles that follow shine brightly! 




fill 




II I H 



81 




Time, who sheds his blight o’er all. And dai _ ly dooms some 







joy to death. O’er thee let years so gent-ly fall They shall not crush one 



f*} j - j 




joy .to death » 



let years so gent-ly fall They shall not crush one 



H r HU J 



mw; w 

111 



If' 



<S2 



flowr beneath! As half in shade and half in sun ,This world a. long; its 













Knr/rrnnt try ('Jrtf * /far 



Draw* 



v Tho* Sfothrint /i^L 



One his eye neV r rais’d 
From the path before him 
T* oilier idly- gaz'd 
On each night cloud o’er him 
"While 1 touch &c. fc:r. 



PuMuthni Jrtiift.ltiXil try . / /’,»\vrr. St 4. Sfm/ut 






H r 



8c 



Common 



Sense and Genius. 

.? /'rr/fr/t Q its. 




While I touch the string* Wreathe my brows with laurel , 















==] 






BSC 


1 * . . 1 


1 


' 1 


^ 1 

• • 






i — 


^ ca 


— 


1 






A 


3 


— 


i 


* • 



For the Tale I sing Has, for once, a moral! Common-Sense one night 




Tho* not us’d to gambols. Went out, by moonlight, With Genius on his rambles. _ 



6 




I I *4 /HUJ 





'l 1 !' 

i# 

MU 



Soon set Genius straying;. One his eye ne’er rais’d From the path befor^hiro J 












Mliile the boy, whose look Was in heavn that minute , Never saw the brook, But 





tumbled headlong; in it! While I touch the string* , Wreathe my brows with laurel. 





For the Tale I sing;, Has , for once , a moral! 




366 



nm 



I I l*T /HVJ 






II I H /HUJ 



\ 



89 




no . 



^ 

_ We’ve never iten One glimpse of plea _ sure’s ray , 



I H / 






I I I *T 






91 







3.56 




I I *4 /HVJ 








95 




When, the dance and feast are done. Arm in arm as home we stray; How 




Then, then the fare-well kiss, And words whose part _ ing tone 




Lin—gers still in dreams of bliss, That haunt young hearts a - lone.- 


























II* 




I I I *T 





In vain conceal’d they lie. Love tracks them eviry where; 






i *4 



Come chase that starting Tear away. 

(O^rr/tr/ O /</’. 



99 




£ r r l J I' P S i j . - ^ 




366 




lOl 





J ■ K ; i r- e- r . g i i J r c.-t 

low, Oh! think that one bright hour • is giv*n In 




356 







mi 










105 




o’er us! Tears starting, at parting Hearts beat-ing, 

N 



at . meeting. 





Oh! aweet youth , how lost on some , To some how bright and 

To. p - i I s r - i ■ - -f 




* 



1 



I i 

1 I 








I t 

t 




t: 




i 








Stolen walks through moon-light shades, With those we love be. side us. 










107 



Hearts beat.ing, at meet -ing, Tears start _ in# 








at part -in# 




at meet -in#, Tears start - in# 




at part-in# 





Oh! sweet youth, how soon it fades. Sweet joys of youth, how fleet- in#! 

i=£=^ 



£ 







. ii' 1 1 




sweet youth, how soon it fades, Sweet joys of youth, how fleet-in#! 




Wand rings far a - way from home. With life all new be - fore us; 

:■ -.*=*=. ; i j i gg ic c t n.r f 

7 * _ 



7 / 

WandVings far a - way from home, With life all new be- fore us; 




356 






ii 

1 1 



i if ** 'i 



•j ' • 






Greetings warm when back we come, From hearts , whose prayVs watch cl 



Greet-ings warm when back we come, From hearts, whose prayrs watch’d 



1 H 




m 






: 5 

4 L 








o’er us! Tears startling, at parting, Hearts beat-ing, at meeting — 



o’er us! Tears start_ing, at parting, Hearts beat-ing, at meeting — 



m 

i lie, 






Oh! sweet youth, how lost on some, To some how bright and fleet- ing f 

N v k fv ^ I N- 



sweet youth, how lost on some, To some how bright and fleet -ing! 



//W> 

treJ'f/C* 





r - 

Hear me but once, while oer the grave. In which our Love lies cold and dead 






• • 



t 



calando 







mo 







Hear me but once. 

e O UE T T. 





I I I *T 



113 




Who would have thought the smile he wore. When first we met, would 





fade a _ way? 



a chill come o’er Those eyes so 




calando 




' »!>• 



bright through many a day!. 




II I *T 





A SEILBCTraQW ©IF 

POPULAR HATIim&lL, AIT1RS 



tow 




^mphontfe *n& SUroratpammnite 

rAijo^ 

HMET RlBISjHhDiP. 

'flbr U orris by 

^©mas m©©ir a. esq* 




O'er head from the trees hung a Garland fair. 

A fountain run darkly beneath — 

'Twns Pleasure that hung the bright flow'rs up there. 

• • 

Lore knew it, and jump'd at tiie wreath. 



/> " sh, //„// 

t 



JTETS//IX#^Tv* .'.rtf 9 



rn*r /J* 



L O JS J) O N , 

Published Fel/Tll. l822.br J.Power,3 1. Strand. 

TJttn/ XumbcrJ 






I I I *4 /HUU 




INDEX 



TO 

THE THIRD NUMBER . 



TITLES. 

When love was a child 

Say what shall be our sport to-day 

Bright be thy dreams 

Go then — 'tis vain 

The Crystal Hunters 

Row gently here 

Oh days of Youth 

When first that Smile 

When thou shall wander 

Who'll buy my love-knots 



AIRS. 

Swedish 

Sicilian 

Welsh 

Sicilian 

Swiss* 

Venetian 

French 

Venetian 

Sicilian 

Portuguese 



PdCE 

1 

5 

8 

13 

16 

29 

35 

39 

53 

55 



INDEX 

TO 

THE HARMONIZED AIRS. 



Bright be thy dreams 






. . 10 


The Crystal Hunters 






.. 21 


IxOin trentli/ hurt ... ........... 






.. 32 


When first that Smile . . - . 






.. 43 


Pence. tn the. Slumhe.re.rx . . 






.. 48 


See the dawn from Heaven 






. . 60 



i i *4 



WHK3T L1)VE WAS A ( I11U). 

* ^ 

•tf /.»//( f // 



^/t ' //t r/f ir/Zr 

' > " 







•' i 



ftlentando . 




^When Love was a child, and went idl.ing round ’M oiik flowers th 



P ^ 




whole summers day — One morn in the val.ley 



bow r he found , Sc 
r> 



h 



w w % Jr w Z* 

sweet, it allur'd him to stay. 





i ii h 



ii ii > i 

II 

I iiU 



m i 
I SSI 

I • IP 



PI 

I I 



u 



II 



ii 



HI 

•1(1]: J 










head from the trees hung; a Garland fair, A foun-tain run darkly be- 






— 

neath — ’Twas Pleasure that hung the bright flowrs up there, 

r* 



Love 




knew it, and jump’d at the wreath. 



But Love didn’t know — and at his weak years , What 







>- 








too much haste* As boys, when im_ patient, will do — It 

< ^ ■ - — s ^ ^ 1 



I I *4 HWU 







i i h 



1<» d, each hour-1 scarce knew whom, And was blest- 1 scarce knew why , When 1 









l« 






lovdf each hour, I scarce knew whom. And was blest 1 scarce knew 



W & 



lii 

M il 






Aye- those were days, when life had win^s, And 






flew- oh flew 



— 1C 




ST ^S.! LST. — 






m 

=rr4f 








• T 








nii tii 



Y DKKAMS. 

Y/,./,/V /„■ 



Ilfli 

i) Id < 



s k 



run 



m 

:k 

;! 



*r/r 

» '/twr. | 

' Sf t A //y/y.-<. 



f) Suave 



Bright be thy dreams — 



e r ltmrd : 



I | r 

may all thy weeping Turn into smiles* while thou art sleeping! 



m 









ip 

ill 

W'f 

1^!! if {: 

It 



m 



^ r y ■ r 

Those, by death or seas remov'd ,Friends,who in thy spring-time knew thee 



^ Y w 

All thou’st e - ver priz’d or lov'd, In dreams come smil-ing to thee! 








y 





Dearest of all, come, while thou aleepest; Still the same, no charm for- got, 

hgjjE 




I H /HUU 





lO 



B K IGU T 



D I ' KTT. 



i THY DREAMS. 

V/z/l 



. />//,/ /, 








Bright, be thy dreams. 




//rz/t hi/ 

- /rz///zy/y 




Bright, be thy dreams, 

m 



may .all thy weeping Turn in. to smiles, while thou Jlrt sleep. ing! 

np^ 










may all thy weeping Turn in_to smiles, while thou art sleep, ing! 

/ i f - 1 ' i 



‘ - r, - -• 







-pr * r 

Those, by death or seas remov d, Friends, who in thy spring-time knew thee, 




g . % 








Those, by death or seas remov'd, Friends, who in thy spring-time knew thee, 

lj— > s n k. n ..Pi 2LJ5 


. - ■ — — • — - 






d — «■ 

y 1 : y ■: -t =? 


^ J + -i 

— - — * — \—J — *»- - — w- — =f 


— =* 



<927 






A f 1 

All . thou st e.verprizd or lov’d , In dreams come smiling to thee! 



All thou’st e-ver priz’d or lov’d, In dreams come smiLing to thee! 




There may the child , 



There may the child. 



pp 



pp 



• • 




•whose love lay deepest. Dearest of all, come, while thou steepest 



w 

whose love lay . deepest , Dearest of 








u 







Still 



the same no charm for _ jjot , No _ thinff lost that 



U ; 



iR-t 



!lvl; 



vJ'M 



iWi 



Still 



r r 

the same no charm for _ got , No - thin# lost that 



Life had giv _ en« 



Or if chang’d, but chang’d to what 



Life had giv _ en_ 



Or if chang’d, but chang’d to what 



« 1 



m 



i ; 






=fc 



find her yet in Heaven! 



find her yet in Heaven! 








■ ■ 






Go TIIEIY !tis VAIJT- 



> /f/v //. 



/<f// 



Soave 



^ r 





ini 




i ii h 



75 



■f 1 — f 

4 - - ■ 4 — ■ 



• r i ^ - - 5 5 # 

Farewell, false heart, whose light- ness Now leaves me death in - stead 




Go now, those charms sur _ ren der To some new lo-vers rtigh - - 



le K .ti 



VS 



To some new lo - vers sigh - - - One, who tho* far less 



Cre* 






ten - - der, May be more blest 




Tiie Crystal II titers. 

' Z/rSJ.i C /,'r. 




6‘27 




i ii h 




mountains.bright with snow and light. We Cry.tal-hunters speed along,' While 




iWWpipp 

»« tempo. i T , 1 







=e£e^ 


— h 1 r pd 


f — r 


r 




K ro,s > a,, d caves, And i_cy waves Each instant echo t< 


> our m 


E=r. J t 

>ng . Each 



I I IH /HUU 




grots, and caves, And i.cy waves Each instant e-cho to our song. Each 



cr*« 



instant c_cho to our song 



, i 



ff 



*l«>nfan«lo. 



/»/» 




Sometimes when o’er the Alpine rose , The golden sunset leaves its ray. So 





like, a gem the flow Vet glows, We thither bend our head-long way . And 

f7\ 





mountains, bright withsnowand light, We Crystal - hunters speed a!ong,While 








/ 



XI 



Til E 



nnrsTAL hunters. 



Trio axo (Honrs. 







Oer mountains, bright with 6 now and light ,\Ve Crys-tal- hunters 




627 




. II 



speed along ; While grots, and caves, And i - ry waves Each instant e,dio 



fi ( 



long,M*hile grots,and caves,And i-cy waves Each instant e.cho 




to . our song. And when we meet with store of gems We grudge not kings their 



/«! 



to our tong, And when we meet with store of gems We grudge not kinps their 



to .our song, And when we meet with store of gems Me grudge not kings their 



fs I 



di. adems—O er mountains, bright with snow and light , We Crystal - hunters 



/dl 



ijadems Oer mountains, bright with snow and IigTit,We Crystal - hunters 






di_ adems Qer mountains, bright with snow and light , Me Crystal^- hunters 






6‘2 7 






i ii h 



vj 



speed a _ long, While grots, and caves. And i _ _ cy waves Each 



speed a - long, While grots, and caves, And i _ _ cy waves Each 



K I r I y V V 

speed a » long, While grots, and caves, And i _ •_ cy waves Each 



ere* 



* f I V ^ v 

in.stant e.cho to our song.Each in.stant e_cho to our song 



ere* 




in-stant e.cho to our song.Each in.stant e.cho to our song 



in. stan t e 



_ck 



to our song.Each in_stant e.cho to our song. 



ere* 




Slentando. 






Ill 

111 



1 • I 



mi 



H 



HU 

I 



24 

1 ^ 75 # 



No Lo - ver half so fond-Iy dreams Of spar_kles from 



No Lo _ ver half so fond-Iy dreams Of spar-kles from his 




Lo - ver half so fond-Iy dreams O 



nr-klrs from Ins 

































t i, 1 BiBi , 


II 

* 

1 

! 

I 

1 


1 '■■ . 




— — — — ■ — ■ ■■” 


— —3 



la - dys eyes. As we of those re - fresh - ing fleams. That 




la - dys eyes, As we of those re - fresh - ing fleams, That 






Chorus . 

■ TeiPDo . 




we, too tyrant, That Ia« dies, ej^^. may most 




en ..chant 
Q 




we, too , errant * That la-dies, eyes may most en - chant — Oer 




inoun. tains, bright < with snow, and light. Me Crys-tal - hun - ters 




moun-tains , bright with snow, and light , Me Crys-tal - hun - ters 




speed a - long, While grots, and caves , And i - cy waves Each 




627 



Uti 



cre*» 



r w 

instant e.cho to our song. Each in.stant e.cho to our song 




instant e_cho to our song. Each in.stant 



to our song 



erf* 






r w f 

instant e.cho to our song. Each in.stant e.cho to our song 






ere* 



"l/ 




Slcnrando . 





/ dim 


• — ; P — • — 




^ j . 


^ ■*.' ' g n 


r J 






o’er 


the 


Al. pine 

1 ~i I s- 


rose, The 


gold, en 

j ■■ -j 


o’er 


the 


Al.pine 

i , »_ 


roSe, The 


gold, en 

I e ' 


o’er 


th'e 


t 

Al.pine 


r / 

rose , The 


H —4 

gold, en 



sun - 



II I H /HUU 



21 



leaves its ray , So like 



the flowLret glows. We 



leaves 
.LJi 


its 


ray , So 
- i - -j— 


like 


a gem 


the 


4 = 

leaves 
1 'T 


Y 

its 

-n— 


ray, So 


liCe 


* gem 

















flow ret glows , We 



flow L ret glows, We 



thi-ther bend our head - long way: And tho* we find no 



thi — ther bend our head - long way: And tho* we find no 

^ • 



thi. ther bend our head - long way: And tho* we find no 




*<l libs 



Chorus 



trea . sure there, Vie bless the rose, that shines so fair Oer 



trea . sure there. We bless the rose, that shines so fair Oer 

- ’ adlib: /T> 



r r * m * 9 w r » w 

trea. sure there ,. Me bless the rose, that shines so fair O'er 



Colls Voce 





» Tempo 






mountains, bright with snow and light* We Crystal- hunters speed a_long,While 

£iJ JU ^ .- M 



mountains, bright with snow and light* We Crystal-hunters speed a_long,Whi!e 





grots, and caves. And i - cy waves Eac h in_stant echo to our song. Each 







grots, and caves, And i-Cjr Wares Each in.stant e_cho to our song. Each 



cno to our song. Each 





adlib fa 
£ 



1 1 






, ,fe — ^ — r~ — 










1 — J 


■ J J — J_ ‘ — 







in -slant e. cho to our song. 

L rs ♦ 








627 






I I I 








IfiO'W 



9 



©EWTILY 1111 








KNIuLAVEU Ur i 



UfAlUl il A 



i 



>*ow rent ihoo here, my gondolier. 

Hush lansh '—foriap i go 
M'o dim l> yr>.n light balcony's height. 
While thou keepxt watch below. 



f , ruhitshsr/ t'rh* /4 ,h l*2Z Av. I frwr 1 i.S/ramf 














Row 



29 



GENTLY HERE, 




y. 



f // ' 




) 





Row gent-ly here, my gon_do_lier, So soft_ly wake the tide; 





not . an ear on earth may hear. But hers to whom we glide. . Had 



62 







I *r f *MI U 




62 



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31 










32 



K © W G E > T LY H E \l E . 



/>/'/: tt. 



< / ) . / 

fr/nY/tr// ' f < 



) '/ 

'/ ~ ' 
> '////< . 





6 * 7 




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glide. Had Heavn but tongues to speak, as well As starry eyes to . see » Oh 





ad lib : 



think what tales ’twould have to tell Of wand ring youths like me 



think what tales ’twould have to tell Of wandring youths like me. m j V[ 

i N N \ N N K a. 



Coll a Voce 



i' f 






Now rest thee here, my gon_do_lier, Hush hush for up 



Now rest thee here, my gon_do„lier, Hush hush for up 



2 






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6 






w 



WHE*V FIRST THAT SMILE. 




Seem’d in 



that smile 



to pass 




me. 



Cre* 












M I H /HUU 




% 












Short as the Per_sian’s prayr his pray’r at close of day> Must 






- I LJ—ti 







wor. ship beau-ty’s pre-cious ray, Ev’n while he kneels, that ray |S 






4/4UU 



, 41 

W HEX FIRST THAT SMILE. 





II I H /HUU 



46 




With fonder hope than I of those sweet eyes , And of the 




With fonder hope than I of those sweet eyes 




•d lib: 





Where now are all those fond-ly promis d hours ? 

| ..J - J- J | _ 

Where now are all those fond-ly promis’d hours? 

, s 




mi 




46 








jf W 

rainbows or day- flow rs Or aught flints known for grace and lightness. 




rainbows or dav-flowVs 




for grace and lightness 




621 






I II H /HUU 



4>7 



be each vow of Loves re.peat.ing 



C" — { » 



Quick let him worship 



be; each vow of Love’s re.peat.ing 



Quick let him worship 



YT I 

H* * J 



ad libi 



Beau.tys precious ray. 



Evn while he kneels, that ray is 



Beau.tys precious ray, 



that ray is 



Colla Voce . 




fleet -ing . 




fleet .ing . 




i ii h 



49 



~ lie 
ji? — 


on 

=F 


the 


bat. tie plain, With 


no 

t— i- 


shroud to 


co.ver 

=£= == S 


them , 


With 


he 


on 


the 


baj.tle^ pi aril , With 


no 

E=k 


shroud to 

j -j — 


co.ver 


them , 


With 


lie 


on 


the 


bat. tie plain, With 


EE 

no 


M. g 

shroud to 


m * Ml 

co.ver 


them , 


’ -m : 

With 




shroud to co.ver them , The detv' and the summer rain Are 



no shroud to co.ver them , The dew and the summer rain Are 



no shroud to co.ver them, The dew and the summer rain Are 




morj-ndo . 



all that weep o.ver them. Are 



that weep o.ver them. 



all that weep o.ver them, Are 



that weep o.ver them . 



that weep o.ver them, Are all that weep o«.ver them. 





II I H /HUU 









The fiilTn Oak lies *here it lay, A.cros* the wmf ry 






ri^-ver, A - cross the wint’ry ri.ver, Hut 

m 






brave 



hearts , once 




±— _ 



ri — ver, A » cross the wint!rv ri.ver, But brave 

~ - 4 -t j — 






hearts, once 




ri— ver , A .cross the wintlry ri.ver, But brave 



hearts, once 




£3 








<527 



1 













Of whom his sword r be_ 



cold as theirs. Of whom his sword he - reft us, Of whom his sword he- 







T. J 



cold as theirs. Of whom his sword he. reft us. Of whom his sword be- 

n J-i ■>* = 







us, Kre we forget the degp^arrears Of vengeance they have 





rett us. Ere we for_g-et the deep arrears Of veng-eance they have 

j-. y j i w . 

reft us. Ere we for_g*et the deep arrears Of veng-eance they have 

B ' i {f t 





7? J 








6*27 






r>s 

WHEN T lH OF SHALT WAN DEI?. 




new and hope was bright, Ere 1 could doubt , or thou de- 





II I H /HUU 



•J.5 



W II O’ U » r Y M Y L O' V E KNOTS ?” 

///•,!* ( /// \ j 



y/,,y/,,//y. 



nol 9 lc va(i 




Hymen late, his love-knots sell-ing*, Call ’d at many a mai.de n’t 






dwell.ing, None could doubt, who saw or knew them, Hymens call was welcome 








i€ V w r x 

to thetn.Who’ll buy my loveknots? Who’ II buy my loveknots*^ .Soon as that sweet cry re. 














56 



sounded , How his baskets were surrounded! 



Maids,who 



w- 






k-u m 



now first dreamt of trying These gay knots of Hymen’s ty . ing , Dames, who 



mm'. 



• • 



long had sat to watch him Passing by_but ne'er could catch him'-LWholl buy my 









loveknots? who’ll buy my loveknots? ’ All at that sweet cry assembled, Some laugh’d 






it 






* ! 



62 7 










I I I *4 /HUU 



.5<V 




Hymen 



Scarce their bar. gains were com-pleat-ed. When the 



Cr«% 



w - - ; | - w 

Nymphs all cried" were cheated. See these flowVs,diey’re drooping sadly; This gold 







w r ^ 
knot, too , ties but badIy_Who’d buy such loveknots?Wh o’d buy such loveknct*? Ev n this 







.59 



r I * » 





breeding; While old Hymen, who was us’d to Cries like that these 








Dames gave loose to "Take bark our loveknots_Take bark our loveknots IL Coolly 





■d lib 



said There’s no return_inff wares on Hymen’s hands_Rood morning.” 




6 27 



II I H /HUU 



60 



i mi 



■SEE, THE DAWN FROM HEAVEN. _ 

( ///: ' /////z/ff/* f'///7.»////<r.j C 

ANOF.lt FOU Tint EE VOICES. • 



i I 

V -i 



- / rf/r/ff/r/t 










slentund 



4 2«! Voice . 



See# the dawn from Heavn is break _ ing, The dawn from Heavn 



1 — i — ^ — i ■ — ■ — i — — -? _ 1 — m ^ m = 

break -in# o’er our sight# And Earth, from sin a _ wak _ ing- 





i i h 



lV Voice . 



See, those groups of An - gels wing, ing, those 



hails. . the sight. 




groups 



An . gels Ming . . ing 




from the realms a _ 



i • 



j jv j . 

Bring, ing wreaths of. 



m ^ — V 

On their suiuny brows from E _ den bring. ing Wreaths of hope and 




On their suiuiy brows from E .den bring.ing Wreaths of hope and 



I I H /HUU 









2"? Voice . 



Hark their hymns of glory peal - ing. Their hymns of glo__ry peal-injf 



m i *4 



63 






I II H /HUU 




* 



r 



64 




skies, the Ho _ ly, Ho Jy, HoJy One! He, whose home is 



in 



the 




skies, the Ho _ ly, Ho_ly, Ho.ly One! 








skies, the Ho _ ]y. Ho . ly, Ho _ ly One! 







skies, the Ho _ ly. Ho . ly. Ho - ly One! 




^ t* 




- ly 









the Ho 



One! 







M Catalogue 



OF 



VOCAL AND INSTRUMENTAL MUSIC, 



PUBLISHED BY 



J. POWER, 34 , STRAND, LONDON. 



A SELECTION OF 



IRISH MELODIES 



WITH 



SYMPHONIES AND ACCOMPANIMENTS 



FOR 



THE PIANO-FORTE, 




BY 



Sin JOHN STEVENSON, Mu*. Doc. 



AND 



HENRY R. BISHOP, Esq. 



THE WORDS BY THOMAS MOORE, ESQ. 



No. I.— Price 15 *.— Containing 



'r-olan's Concerto 



Er i 
Oh! 



TIS pleasant Rocks 
Plcx^xty Drury 
Tk^ Beardless Boy 
Co ^B&here Glory waits thee 

mber the Glories of Brien the Brace 
J the Tear and the Smile in thine Eyes 
Jsreathe not his name 
he who adores thee 
jffa that once thro ' Tara's Halls 

Fit* y el * 

Oh ! think not my Spirits are always as light 

Tho' tA e last Glimpse of Erin 

fiich a^*d rare were the Gems she wore 

j4s a E^-eam o'er the Face of the Waters may glow 

The AT^eting of the Waters 

No. II. — Price 15 *. — Containing 

St. Sena*us and the Lady 
i to w dear to me the Hour 
Take back the virgin Page 

T'he Legacy — ( When m Death I shall calm recline) 

The Jtirge — ( How oft has the Benshee cried !) 

We may roam thro' this World 

live tin's Bower— f Oh! weep for the Hour J 

j>t Erin remember the Days of old 

Silent 9 oh Moyle! be the Roar of thy Waters . 

C'ome 9 send round the Wine 

Sublime teas the Warning 

Believe me, if all those endearing young Charms 

No. 111. — Price 155 . — Containing 

Cean dubh J>mlish 
The snotcy-br wasted Pearl 

Plans iy Johnstone 

Captain Megan 

Erin, oh / JEriti. — ( Like the bright Lamp ) 
Drink to her 



Oh ! blame not the Bard 

While gazing on the Moon's Light 

When Daylight was yet sleeping under the Billow 

Beforeihe Battle— (By the Hope wit hinus springing) 

After the Battle 

Oh ! * tis sweet to think 

The Irish Peasant to his Mistress 

When thro ' Ufe unb/cst we rove 

It is not tha Tear at this Moment shed 

'Tis believ'd that this Harp 



No. IV.— Price 15 *.— Con tain ing 

Love's young Dream— (Oh ! the Days are gone) 
The Prince's Day— (Tho' dark are our Sorrows J 
Weep on , weep on 
Lesbia hath a beaming Eye 
I saw thy Form in youthful Prime 
, By that Lake whose gloomy Shore u 

! She is ftr from the Land 
Nay, tell me not 
Avenging and bright 
What the Bee is to the Floweret 
Love and the Novice ( Here we dwell in holiest Bowers) 
This Li/e is all chequer'd 



No. V.— Price 1 5 s.— Containing 

Thro' Erin's Isle 

At the mid Hour of Night 

One Bumper at Parting ! 

* Tis the last Rose of Summer 
I The young May Moon 
The Minstrel Boy 
The Valley lay smiling before me 
Oh ! had we some bright little Isle 
Farewell! but whenever you welcome the Hour 
Oh ! doubt me not 
You remember Ellen 
I'd mourn the Hopes that leave me 



No. VI.— Price 15*.— Containing 

Come o'er the Sea 

Has Sorrow thy young Days shaded f 

No, not more welcome 

When first / met thee 

While History's Muse 

The Time I've lost in wooing 

Oh ! where's the Slave ? 

Come , rest in this Bosom 
* Tis gone, and for ever 
I saw from the Beach 
Fill the Bumper fair 
Dear Harp qf my Country 

No VII.— Price 15 *. — Containing 

My gentle Harp ! once more J waken 
As slow our ship her foamy Track 
In the Morning of Life, when its Cares are unknown 
When cold in the Earth lies the Erientl thou bust lov a 
Remember thee ! yes, while there's Life in this Hear I 
Wreath the Bowl 

Whene'er I see those smiling Eyes 

If thou It be mine, the Treasures of ' Air 

To Ladies' Eyes a Round, Boy 

Forget not the Field where they perish'd 

They may rail at this Life 

Oh for the Swords of former Time! 

No. VIII. — Price 15s. — Containing 

Ne'er ask the Hour 
Sail on, sail on 
The Parallel 
Drink of this Cup 
The Fortune-teller 
Oh ye Dead ! 

O' Donohue's Mistress 

The Echo 

Oh banquet not 

Thee, thee, only thee 

Shall the Harp, then , be sitent 

Oh the Sight entrancing 







~ Do ° 

»» THOMAS MOOBB^ 

>- w “ 1 gs2s£5&T:-;::- :: . fEr „ 
i^6H;Sr 

T^S^^' :::::::: -‘ ES- 1 SSiT?^ssi3r -:v- -:v :v- : » g& 

v * ** * — fc y g iX °cn^ Es :l; 

. . of * e ftbov e Work, mi* H- NUMBER * 

... An Edit, on of ^ ^ # variety „f Elegant Bindings ^ . 

'^T^oets, and TBI ^ M(l0r ,....£> ■ ° 

A SERIES OF SACRED SO ^ * _,, ^ Slw ™» - 

Th, *«* >» n °“" *"”’ a> " ' '“ M ““ ” ^ i^-co™«i»^ ^ .„, * jjjyjraiS” 

« IFeep "°‘/ or ,fc J* fragrant S ^£„J| B*u‘ « h ° AoR^ 18 '° '“* 

S-at Sft-* *- £K«3 Wfl W* Son V p ' * 

Jerome'. U-. g*? I 

<*< Mourner'. Tear. II ____ 

' Sottish m***® 118 ’ T nvvss.e^"« 15 ’- 

A SELECTION OF 

w ,, bSy „pi— ■> *««.-— r,r P, “" Fort ' !(o ol «.-* D si&!r 

no< «/»« Hour# Tao Shadows are 1**’ 

■ S^TiT' - I "T 

-T ^Tweish melod^ )5< 

A SELECT ” by JOHN PAURV. tria cw 

. *ccomp» nl,oenl • II Ve/ree So"* v e p 0 y, 0 / W 

With Symphonies and A [h( fountain U ()h Cambria- 

_ . Green M» 0 / Oeean j| Tg SjjS - ^ ** ^ | 

^3e happy to-day JZl 1 **?* ,. 0 fCt/ mTU ' || 1 " 

Me .fep 0 / my Morryrfd 1 ^, |ie Hero" f V^i 0 

J^T trike the Harp . 1 ^A* £* I,e V 

^f U crotstA'm it* beautythy Dee't Druid tcaler ' ' 

TrtDUS MELODIES- Ju0 , E ^ce- 

a sei^ ct,on °r — » - - * w “- bea 

^ B. HOR^. and 

With Symphonies and Accompaniinents by . — Contain^ \ s falling 

\ From the Hf ^ 

** is Me BUlo*, s pray \\ g&W/ f -- \ 

MZcse of this enchanted kale \\ f fotc true the Sp° . 

Jjark! the Song \\ ^ vfl in (/*<>** ca//^* 

iliii amrutii Wild* \\ 








VOCAL MUSIC. 




LALLA ROOKH*. 

Selections from that Celebrated PoEM,<*e Music by the following Noble and Eminent Composers 

d. 



s. 

Five Songs and a Duet Lady •••••« 5 

Spirit of bliss. Trio Lord Burgher sh .. 3 

Fly to the desert, Canzonett Ditto 2 

Her hands were clasp’d, Recit. and Air T.Attwood ••••.. 1 

The Acacia Bower Ditto 1 

The cold wave my love lies under • • Ditto 1 

The song of the tire worshipper .... Ditto 2 

The Arabian maid : Bishop 2 

The feast of roses Ditto 2 

.The Georgian maid Ditto 2 

The Peri pardoned, Recit. and Aria .. Dr. Clarke 2 

The Spirit's song, Recit. Andante & Aria Ditto 2 



0 

0 

0 

6 

6 

6 

0 

0 

0 

6 

6 

6 



Namouna’s song, Recit. and Aria .... Dr. Clarke , . 

Oh ! let me only breathe the air J. C. Clifton 

We part for ever Harris ...... 

Bendeemer’s Stream, Ballad W. Hawes .... 

Paradise and the Peri, Recit. and Song Ditto 

Then fly with me, Ballad G. Kiallmark 

Fly to the desert, Ballad Ditto 

Hinda’s appeal to her lover Ditto 

'Twas his voice, Recit. and Air ...... Sir J. Stevenson 

Now morn is blushing, ditto Ditto . . , . • 

Oh ! fair as the sea-flower. Ballad .... T. Welsh . 






• • 



• • 



• • 



$• 

2 

1 

1 

2 

2 

1 

2 

2 

2 

2 

2 

2 



J. 



The Peri's song, ditto . Ditto 

Power bees to inform the Composers of Music, and Music-sellers, that he is the only person authorized by Messrs. Longman and Co. 

to publish, with Music, the Songs or \ erses in the above Poem. 



</. 

6 

6 

6 

0 

0 

6 

0 

O 

0 

0 

0 

0 



HANDELS SONGS. 

Arranged with a Piano- Forte Accompaniment by Sir John Stevenson, Mus. Doc. 

s. d. 

No. 1, Lord, remember Davicf * 0 

— 2, Holy, Holy, Lord God Almighty 1 0 

— 3, I know that ray Redeemer liveth 1 0 

— 4, Comfort ye, my people 1 ® 

— 5, Deeper and deeper 1 6 

— 6, Angels ever bright and fair 1 0 

(To be continued.) 



The Forty -Third Psalm, 44 Judge me, O God," an Anthem, for Two Voices; Composed by C. E. Horn— price 2#. 6d. 



ADMIRED BALLADS. 

COMPOSED BY WESLEY DOYLE , ESQ. 

s. d. 

Annot Lyle, (from the Tales of my Landlord) 2 0 

The parting hour is come, Love, (written by Mrs. Opie) 2 0 

Sweet is Love ! (written by Alexander Donovan, Esq.) 2 0 

Whilst on the Beach I wander, (Ditto) 2 0 

Oh ! woods of green Erin, (written by Miss Anna Maria Porter) 2 0 



A DRAMATIC FAIRY SCENE. The Words by Charles Hallett, Esq., the Music by T. Rovedino, priced#. 



ITALIAN. 



f. d. 

A L DA^nna 1 fi 


#. u. 


Tl aa! L n A4 1 a K/j| DtIM 1 G 


La dove'prende ... ! Duet Dine 1 0 


Che dice mal d’amore Mayer 1 6 

Deh vieni alia finestra Mozart 1 0 

Di piacer mi balza il cor Rossini ..2 0 

L nl% flitl iitnn iititrx 1 O 


Lungi dal caro bene S° rti J 

Tucheaccendi Rossini 2 0 


Fratanteangoscie.. Cara/a ....2 0 

Giovinette che fate Mozart 1 6 


Vederlosol bramo ran * « 

Vedrai canno Mozart I 0 



Le Vaillant Troubadour 

Le Portrait 

Le Serment Francis 1 

Partant pour la Syrie I 



A SERIES OF FRENCH SONGS, 

NEWLY ARRANGED FOR THE PIANO-FORTE OR HARP 

«. d. 1 

Saucan ...... I 0 

. 1 0 



0 

0 



• • • 



Rosed’ Amour 

Depuis longtems Gentille Annette 

Le Gentil Housard 

Celui qui sut toucher mon cceur 



Boieldieu, 
Ditto . • . 



s. d. 
I 0 

< 0 



• • • 



1 

1 



(To be continued.) 



0 

0 



A Collection of Canons , Catches , and Glees, Part of which have an Accompamme for 

Piano-Forte ; composed by Sir John Stevenson ; Vol. I 

A Collection of the Vocal Music of Thomas Moore, Esq. ; Vol. I * ’ ] 

A Melologue upon National Mustc . . 

M. P,; an Opera, in Three Acts . 



£. s. d. 
1 I 0 
1 11 6 
0 3 0 
0 15 0 







VOCAL MUSIC 



SONGS 



Green spot that blooms 
Grotto .... 



Hapless Mary ! 

Hark ! the trumpet, hark ! 
Heath, this night, must be 
Henry and Sue 



Dr. Clarke 
Cooke . . . . ■ 

Kemp 

Horn 

Stevenson . 
Moore . . . 

Horn 

Ditto 



Here, in this lone little wood 

Here’s the bower 

Her heart was made to love . 

Hoax , 

Hope, thou Nurse 

Hope told a flattering tale . , 

Hour of victory 

How happy once 

Hush’d be that sigh . 



Paisiel/o . 
Stevenson 
Moore . 
Stevenson 
Horn ... 



Hush! dearest, hush ! 
Hush ! forbear your faults 



Ditto 



I always turn to thee 

I can no longer stifle 

Je suis un pauvre Savoyard . . . 

If I swear by that eye 

If maidens would marry 

If then to love thee be offence. , 

If winter frowns. 

I have woven a garland for thee 

I’ll love thee ever dearly 

I’m deep in love 

I'm wearing awa . 

I’m wearing away 

In days of old 



Kelly 

V. M., Esq 

Ware 

Stevenson . 

Horn 

Stevenson . , 

Horn 

Holden .... 

Cooke 

Parry .. .. 
Bums .... 
Stevenson .. 

Horn 

Kelly 

Ditto 

W a I mis ley . , 

k% 

Turnbull . 
Arnold . . . 

Kelly 

Cooke 



cw T" that forra «■» 
!*£&&**<*"* 

: o^ ,e ' a ", you f ° r “ 

°nie, take the harp . 

Oine tell me, ny. Ro^l'",, 
me tell me where the maid 
ome, my (Weeteat maid... 



W a Imis ley . 

Kelly 

Dr. Clarke 
Stevenson . 
Ditto ... . 



Indian maid 

I never told my love 

In moments to delight 

In the days of my youth 

In vain may that bosom 

Invitation, the 

In yonder bower 

1 sigh for the days that are gone 
It is not that a woman’s eve* , 



Moore 

Kelly . 

Cooke. 
Moore 
Stevens 
H oxcell 
Kelly . , 

Emdin 

Duval 

Moore 
Smith.. 
Steven so 



Kitty of Coleraine 

Lament, the 

Land of Shillelah 

Land o’ the l^eal (New Edition ) 
Light as the shadows of evening . 

Light sounds the harp . 

Lilia, coine down to me 

Little Mary’s ey e 



Stevenson . 
Moore . . . 
Cooke 

T. A/., Esq 

Ware 

Cooke 

King 

Moore • . . 

Horn 

Kelly 

Cooke.. . . 
Barry . . . 
Horn .... 
Moore 
Moore . . , 
Horn .... 



} H not? 

K-E h °f ,,0 °; '{ry Blossom" 
, h> P ° f Ko *' slumber > 
^ »*«ild, (new edition) 



London, now is out of town. ....... 

Look that says I love thee 

Lord of the castle 

Lottery, the 

Love 

Love and Time 

Love, honour, and obey . 

Love in a storm . . . 

Love, like an April day .......... 

Love's light summer cloud 

Love thee, dearest, love thee 

Loud the trump of war was blowing 



Horn .. 
Hawes 7 
K/ewite . 
Campbell 
Kel/n . . 



“optial son? , 
"■’<* thee more 



Ro * d -' .... 

* »» ny, dearest!.. 

* • 1 nv was i n the 

* thee well, tho 

* »“«rwell, Betsy • 

* sweet eye 

iV i lbe Worl(i ’ 

» ■“ her I die ... 

,end °f my soil” 
<3.n glory’s height* 
o*n life, witho Ut f n 

1 1 Troubadour 

v e, love ! gi ve . * 

* I cl enchain.... 

night **"*• 

* SWeel enchaw^; - 



Cook'. 

Moore 

l; V; 

Mo/ineu 

Moore 



‘•/rest ! 



Maid of Marlivale. 

Maid of the rock 

Maid whose heart was cold to love 

Man I love. 

Mansion of love ( 

March away, Helen ! 

Mary, 1 believ’d thee true 

Monody 

More laurels 

My heart’s my own 

My life, I love thee \ 

My love is gone to Islnmbol 

Ms love, when thou’rt away . . . . 

. My dying sire 

My mother did one rule bequeath 



Stevenson 

Ditto . . . 
Ditto . . . 
Kelly . . . 

Emdin . 
Horn . . . 
Stevenson 
Hawes . 
O'Meara 



J, ioore 
Kelly . 
Steven. 
Moore 
Kelly . 
Moore 



.'/rrm .vow 
Beet hovers 
/.etoiarrf - . 
Af outre - . 
S/e vert son 



Kelly . . . 
Ditto . . . 

Nicholson 

Kelly . . . 
Horn . . . 






VOCAL MUSIC. 



s. d. 



Nay, weep not ! dear Ellen Smith 2 

Ned of the hills Owenson 1 

Nightingale, the So/a 2 

No joy without my love Cooke 1 



Obey! 

Oh ! come, sweet lass ! 

Oh ! fate in pity 

Oh ! give me the heart that is cheerful 
Oh ! if those eyes deceive me not .... 

Oh ! liberty 

Oh ! listen to your lover , 

Oh list unto my tale of 

Oh ! Nanny, wilt thou gang 

Oh ! never doubt my love 

Oh ! never from the maid depart 

Oh ! nothing in life car>saddeu us .... 

Oh! remember the time 

Oh ! see those cherries 

Oh ! smile not thus 

Oh I soon return 

Oh ! such is love 

Oh ! white is the snow . 

Oh ! why should the girl of my soul 

Oh ! woman ! ••••• 

Oh ! woods of green Erin 

Oh ! would I ne'er had seen thee ! . . . . 

Oh ! yes — so well, so tenderly 

Oh! yes, when the bloom .......... 

Old Murgery Grizzle 

On a grand gala night 

One dear smile 

Orator Putf 

Orphan boy 

O softly sleep ! 



Horn 1 

Stevenson 2 

Horn 1 

Cooke 1 

Stevenson 2 

Moore 2 

Horn 2 

Stevenson 1 

Carter 1 

Cooke 2 

King 1 

T. A/., Esq 1 

Moore 2 

Ditto 2 

Smith 1 

Moore 2 

Kearns I 

Kelly 2 

Moore • 2 

Ditto 2 

Doyle 2 

Stevenson 1 

Moore 2 

Ditto 2 

Kin ft I 

Cooke 1 

Moore 2 

Ditto 1 

Smith 2 

Ditto,, 2 



Sale of loves 

Savoyard’s return 

Say, pretty weeping figure 

Scots wha hae wi' Wallace bled 

Send the bowl round merrily 

Sir Tumble-down Dick 

Soft blue of her eye 

Soft breezes breathing 

Soft Zephyr . . . 

Soldier, rest ! . 

Spanish patriots 
Spirit of joy ... 

Spirit’s song 



• • 



• • 



• • • 



• • 



• • 



• • 



• • • 






• • • • 



Stay, one moment stay ! 

Summer 

Sweetest moments life ullows 

Sweet is love 

Sweet is the beam of morning 

Sweet is the dream 

Sweet lady ! look not thus . . 

Sweet minstrel, sing ! 

Sweet robiu 

Sweet Rose, come away ! 

Sweet seducer . . . 



• • • 



• • • • 



• • 



Moore 2 

Dr. Clarke 2 

Stevenson ........ 1 

1 

Moore 1 

King I 

Kearns 1 

1 
1 
1 

1 

2 
2 
2 
2 
1 
2 
2 
1 
2 
1 
1 
1 
1 



Stevenson . 
Dr. Clarke 
Kemp ..... 

Parry . . . 

Moore . . . 
Dr. Clarke 
Stevenson . 
Ditto . . . 
Kelly . . . 
Doyle . . . 
Dallas . 
Stevenson 
Ditto . . . 
Ditto , . . 



• • • 



Dibdin 

Moore 



Tablet of love Stevenson 

Take back the sigh A/oore . 

Tarry, ye moments A>//y # 






• • 



• • • • 



• • • • 



0 

0 

0 

6 

6 

0 

6 

6 

0 

0 

0 

6 

0 

0 

0 

0 

0 

0 

6 

0 

6 

0 

0 

0 

o 

0 

0 

0 

0 

6 

0 

6 

0 

0 

0 

0 

6 

0 

0 

6 

6 



Paddy in London Irish Air 1 

Paddy the piper Ditto 1 

Pangs of absence Philipps 1 

Parting hour is come, love Doyle 2 

Parting look she gave Turnbull 2 

Pleasures of Brighton Horn 1 

Plumed casque Kelly 1 

Poh! Deriuot, go ’long with your goster T. M. t Esq 1 6 

Pray, Goody ! j ....*. 1 0 

Pretty Sophy Bishop 2 0 

Probability T. M, t Esq, 1 6 

Rabbinical origin of woman Moore 1 

Ray that beams for ever Kelly 2 

Remembrances Mrs. Me Mullan . . 2 

Return, my love . . Stevenson 2 

Roderigh Vich-Alpine Horn I 

Roll, drums, merrily Cooke 1 

Rose of affection Stevenson 1 



• • • • 



2 

2 

1 



6 

o 

0 

0 

6 

0 

G 

0 

0 

6 

6 

0 

0 

0 

G 

6 

6 

0 

0 

6 

0 

0 

6 

0 

0 

6 

0 

G 

6 

G 

6 

0 

0 

G 



s. d. 






Taste life’s glad momenta .......... 

That shepherd, sure, is he 

There’s not a joy this world can give. . 

There ’s the bower 

These Messieurs, Anglois 

They bid me sleep .. 

They tell us that wives are 

Think no more, love, of our parting. . . . 

Tho* far from thee I’m roving 

Tho* fate, my girl 

Tho* gaily smiles the opening spring . . 

Tho* winter frowns 

Thou hast sent me a flowery band .... 

Thunder-bolt frigate 

Thy gentle manners 

Thyrsis 

Thyrza 

’Tis love that should rule the breast . . 

’Tis wine alone can banish care 

To Julia, weeping 

Toll not the bell 

To love thee 

To the brook and the willow 

Too soon the flowers of spring inay fade 

Triumph of Russia 

Trumpet of glory 

’Twas on a wild and lonely 

Tyrolese song 



Walmisley 

Stevenson 



1 

1 



6 

6 



Ditto 2 0 



1 

1 
1 
1 

2 



Ditto 

Keams 

Kemp.,,, 

Kelly 

Clifton 

Dallas 2 

Stevenson 1 

Kelly I 

Horn 1 

Moore .......... 1 



G 

0 

6 

0 

0 

© 

6 

6 

0 

6 



Horn 1 6 

Attwood .2 0 

Stevenson 1 6 

Walmisley 3 0 

Kelly 1 G 

Stevenson 1 6 

Ditto 1 0 

Dallas 2 0 

Mrs. Opie 1 fi 

Stevenson 1 6 

Kelly 1 6 

Ditto 2 6 

Moore 2 0 

Kelly 1 6 

Moore . , 2 0 



Ulrica Cooke, 

Vittoria Ditto . 



1 0 



2 0 



Wake, maid of Lorn ••••• 

What’s life unblest with Love 

When a man weds 

Whence can you inherit 

When Charles was deceived 

When fickle man for woman sighs. . . . 

When from thy sight, love 

When 1 first told my Rosa 1 lov’d. . . . 

When I went for a soldier 

When Leila touch'd the lute 

When love gets in the youthful brain .. 
When love und truth together play’d.. 
When love was fresh from his cradle. . 

When midstthe gay 

When night was spreading o’er me ... . 
When »torms disturb old ocean’s bed. . 

When the girl of iny heart 

When the rose-bud of summer 

When time, who steals 

When twilight dews 

When woe on the bosom of mercy 
While parted from the youth ... 

Whilst 1 listen to thy voice 

Whilst on the beach 1 wander .... 

White rose of honor 

Who would not love? 

William and Jannett 

Will you comet o the bower ? . . . 

Wilt thou say farewell, love ? . . . 

Winds, whis|»er gently 

Woman’s power ending never... 

Woman’s smile 

Woman, who conquers all .. 

Woodbine cottage 

Woodman’s cot 

Woodpecker •••• 

W reath you wove 



Stevenson 
Ditto 
Horn ,,,, 



• • • 



• • • 



• • • 



• • 



Moore 

Kelly 

Ditto 

Ditto • • • • 

Horn • 

Moore 

Horn ........... 

Philipps 

West 

Moore 

Stevenson 

King 

Dr. Clarke 

Stevenson 

Moore 

Stevenson 

Howell 

King 

Stevenson 

Doyle 

Kelly 

Cooke 

Sanderson 

T. Af., Esq 

Moore • • • 

Stevenson 

Keams 

Parry 

Cooke 

Stevenson , , , 

Kelly . . . 

Ditto . . . 

Moore 



2 

1 

1 

1 

2 

1 

1 

2 



© 

G 

6 

0 

0 

G 

6 

0 



1 C 

2 0 



1 

1 

1 

2 
2 
1 
2 
2 
2 
2 
1 

1 

2 
2 
1 
2 
1 
1 
2 



6 

6 

ti 

o 

0 

0 

0 

0 

0 

0 

0 

6 

0 

0 

G 

0 

0 

0 

0 



s. • • • 



9 0 
1 0 
I G 
I 6 



• • • 



• • • 



• • • 



2 

] 

2 



0 

© 

o 






1 G 



Ye banks and braes, (new edition). 



. Bums * £ 

Ye light forms of fancy Kelly,,,, J 

Yes, it is, love I <-',/><*. * 

Yes, thro' the wide world Mrs. 

Young Jessica M° ore i 

Young love i 

Youth I adore 

You watch’d the sun’s ray Welsh Air 



a * . • 



o 

o 

0 

<» 

o 

0 



Zounds, my lad 



Cooke 1 0 




6 



VOCAL MUSIC. 



DUETS. 



Atis' poorLubin 



Stevenson 



A. with slow-moving ^ ‘ * .* * * “ * * * * * 

p.ai • * o 



Catherine 

Chieftain . 



l< rf. 
1 6 
2 0 

.. Lady C. Stewart .. 2 0 
Chink-a-chink Stevenson 0 

Congenial to friends * ' " or " 1 6 

n . Stevenson o a 

Dear, m pity 

Oregon fly . Ditto I 

Drag, «!(h rn^ lhe inyrUeboiieV;:;: SL, J 

Edmund of the hill n . 

Fare thee well 

Flowers in the east P ttto 

Heave 



6 
o 
6 

1 0 



« 

2 



1 

2 



Weave one sigh . . 

Here is the lip Horn 

How happy pos’d raottf apietMM dream « 

«s....ZZ , 

Invest my head with fragrant Cao *« 

Joys that pass away 

Lady b y Cupid . t dar(s , 



0 

0 



Stevenson 

Moore 



2 

2 



0 

0 

0 

6 

6 

6 

0 



2 0 



Cife-boot r uans i swear Dr. Clarke 0 r 

[•ov. a„d J « 

Love. my Mavy, dweH, £"' u 2 0 

**° v «, wand ring thro’ the golden maze 0 



■Houm not, silly mortals 



Stevenson 



2 0 
2 0 



Nights of music Moore . , 

No ! never shall my soul forget Stevenson 

Now bright July to pleasure calls .... Horn..., 

O dinua weep ..... 



• • 



i. 

2 

2 

2 



• • 






J. M. Harris 2 



Peace!.. Stevenson 



Send home those long strayed eyes .... Ditto 1 

Should we be forced to part Cooke 2 

Song of war Moore 2 

Sparkling fountains Stevenson ........ 2 

Surprise Ditto 1 

Tell me where is fancy bred ? Ditto 2 

Ditto ditto Arranged by Bishop 2 

That I no longer wish to rove Stevenson • 1 

Think on me Ditto.. 2 

Thro’ silent woods... King 2 

Tit bits Cooke 1 

Together let us range the fields Dr. Boyce 1 

Turn to this heart Horn 1 

Warriors soul is all in arms ! Cooke 2 

Weli-a-day ! Horn I 

When in languor sleeps the heart .... Stevenson 2 

When Jove from the skies Horn 1 

When war unfurls his banner bright .. King 1 

Where is the light from Lara's tower ? Stevenson . . 

While parted from the youth I love.... Kina 

Wilt thou say farewell, love ? Bisnop 

Would you gain by art ? Kelly 



• • • 



• • 



2 

1 

2 
1 



Young rose 



Moore 2 



^ broken cake 

* * len-a- Dale Stevenson 

4. «.«J will he not 'come again & rn 

■*- r cber j glee Stevenson 

A ’«*ke! Apollo calif Ditto.... 

Ditto.... 



glees. 



• • • 





j. d. 
9 0 




of A,,anw «tc r .... „ 

** «^wr,ttr ofM ^ :: -‘:: 2r •••• 

onto ::;••• 

■» adian boat-rong 

S ! n , ot >' et > s »eet bard';"" Moore 

-’f r. y m r' che ™». & S‘eren Kn ’ * * 

»Jbt thou thestari are fire ‘ 

■ «« Ditto..., 

^“i.ryKlee Ditto 

a 1 1, fill the goblet n . 

a .aland love-song ^Uto. - - - 

ve me the harp * * * “ Moore 

ppv love ’***• Stevenson 



Ditto . - - - 
King ... 
Stevemeejn 



• • • v 



2 

1 

1 

1 

2 

2 

2 

2 

2 

3 

2 

2 

5 

1 



6 

6 

6 

6 

6 

0 

6 

0 

6 

O 

o 

o 

0 



r «= re » «he bower 6 resou »d.V U •• 

f a,ls 

be the pi^ 

** 



, " ,k ' d not ejea. . “**••• Afoo 





•S'* « venson 



Lonely isle Horn 



s. 

3 



Merrily O 1 . 
Mountain cot. 



• • • • 



.... Stevenson 
.... Richards 






Nor throne of state 

Now is the merry month of May 

Now let the warrior wave his sword. . . . 
Now the star of day is high 






Kelly 

Stevenson 

Moore 

Stevenson 



Ocean king 

Oh ! lady fair ! 

Oh ! stay, sweet fair., 
Oh ! tell me, pilgrims 






• • 






West 

Moore 

Stevenson 

Ditto * 




Raise the song 

Roderigh Vich- Alpine 

Sigh not thus, oh ! simple boy . . 

Sir Rowland the brave 

Soldier, rest ! 

Song that lightens the languid way 
Sweet lady, look not thus again . . 

This is love 

Ting-a-tingle 

To the brook and the willow .... 



Stevenson 
Horn , 



Moore 

Stevenson I 

Kemp ' 

Moore 

Stevenson 

Moore • 

Horn 

Stevenson 






Under the greenwood tree 
Under the hawthorn tree 
Up, quit the bower 

We fairy folk .' 

When time, who steals our years. ... 

Where shall the lover rest ? 

W ood nymph ...... 

W reaths of flowers . , 



• • 



Ditto 

Ditto 

Attwood 

Stevenson 

Phelps 

Stevenson 

Smith 

Stevenson •••••••• 



u u >o Mroo»— *° 




INSTRUMENTAL MUSIC. 



NEW PIANO-FORTE WORKS, tyc. 



GRAND SESTETTO for Piano-Forte, two Violins, Tenor, Violoncello, and Double Bass, in which is in- 
troduced the admired Air, “ ’Tis the last Rose of Summer.” Ries 8 6 

- Piano-Forte part... 6 6 



ARIA and Waltzer, inscribed to G. 

G. Ferrari. Violin Accomp.' 

Banks of Allan Water 

Batti, batti, o bel Masetto. Flute ac- 
companiment 

Bird-catcher 

Blaize et Bubet 

Cease your funning „ 

Cogaii’s “ Sonata.” Violin Accomp. 

Come chase that starting tear 

Conway Ferry 

Devonshire W altz 

Di piacer mi balza. Flute Accomp. . . . 

Eveleen's Bower 

Fantasie ••• 

Fly not yet 

CJelinek’s Air from “ Alceste.” 

“ Air” in C 

“Aria” in C 



s. d. 



Ckipp 



2 6 
2 6 



Little 3 

Mozart 1 

Howell 2 

Davy ••••• 2 

5 

Eavestaff 2 

Parry 1 

Voigt 1 

Little 2 

Woelfi 2 

Gladstones 2 

JVoelfl 2 

2 

2 



“ Minuet” from Le Nozze 



Disturbate 

“ Waltz” 



Glow di Glow 

Go where glory wails thee 

Guurachu Waltz 

Harmonious Blacksmith (new edition) 
Holder’s “ Divertimento.” Op. 46. 
to Mrs. L. II 

“ Sonata.” Op. 47. to Miss 

Emily Tower 

Howell’s Progressive Sonutinas 

J'ai de la raison 

La Belle Henriette % . . . 

La belle Rosa 

La ci durem 

Flute accompaniment. . .. 

Lady Mary 

La Gavotte de Vestris. Flute accomp. 

La Petit Sonate. Op. 45 

L’f lymenee 



2 

2 

Cooke 2 

Corri 2 

Little 3 

Handel 1 



0 

6 

0 

0 

0 

0 

6 

6 

0 

0 

6 

0 

6 

6 

0 

0 

0 

0 

0 

0 

0 



2 0 



2 6 

4 0 

Ge/inek 2 0 

Holder . . 2 0 

Ditto 2 6 

Gelinek ...2 0 

Little 1 6 

Jansen 1 6 

Little 2 o 

Holder I 6 

Von Esch 2 6 



Lieber Augustine 

Little’s Exercises on Piano-forte. • • • • • 

Lord Hardwicke’s March 

Lord Wellington 

Marche Pastorale et Air Russe 

Minuetto. Flute accomp 

Merch Megan 

Morgan Magan 

Mozart’s Grand March 

■ Military Waltz. Flute accom. 

Sonata. Op. 19- Harp and 



Gelinek 



i. d. 

2 0 



Cooke .. . . 
Jansen . , 
Von Esch 
Little .... 
Dibdin .. 



Flute accompaniment 
My love is like the red, red rose, &c 

Nel cor piti non mi sento 

Oh ! Lady Fair 

O softly sleep •••• 

Pastoral Rondo. 

Peace be around thee 

Pria che 1’Impeguo 

Prussian Air 

Pyrenese Air. 

Queen of Prussia’s Waltz . . , 
Rode’s Air, variations ...... 

St. Patrick’s Day 

Scot’s wha hae wi’ Wullace . . 

Sicilian Dance 

Sici liana and Pollacca 

Sophy 

Sun Flower 

Sweet Richard 

Syren 

Tema and Waltz 

Tu cheacccndi, Flute accomp 

Tyrolese Air 

Valse Frunyoise 

Venetian Air 

When the Rosebud 

Wood-pecker 

Ye Cambrian Youths 

Young Love 



• • • 



1 

2 

1 

2 

1 

1 



6 

0 

6 

6 

6 

6 



Lanza . . . 




0 


Gelinek ... 




0 


Metzler . . . 




6 


Weippert 




0 


Hummell . 




6 


Gelinek . . . 




0 


Latour ... 




0 


Kia/lmark . 




0 


Holder ... 




0 


Hummell . 




6 


Gelinek . . . 


o 


6 


Ditto ..... 




0 


Ditto 




6 


Ditto 


2 


6 


Lysaght... 




0 


Logier . . . 




0 


Voigt 




6 


Little . . . 




0 


Schulz . , . 




0 


Burr owes 




0 


Hummell 




6 


Parry 




0 


Schulz . . . 


•••••• 2 


0 


Holder . . . 




0 


Little 




0 


Gelinek . . . 




6 


Ringwood . 




6 


Hummell . 




0 


Kia/lmark . 




6 


Burrowes . 


o 


6 


Parry 




0 


Burrowes . 




6 



dPItite anil i3fano^orte* 



Batti, batti, o bel Masetto 

Di piacer mi balza il cor. 

Hornpipe danced by Mad. Milanie.... 

La ci darem la mnno 

Mozart’s Military Waltz 

O Dolce Concento [ 

Ditto, ditto 



s. d. 

Little 2 0 

Little -2 0 

Cooke 3 0 

Little 1 6 

Mctzler I 6 

Burr owes QKicholson 2 6 

Parry 3 0 



Nightingale 

Parry's Six Divertimentos 

Polonoise 

Thistle Grove 

Thrush 

Vestris* Gavotte. Flute accomp 

When the Rosebud 



s. d . 

Parry 3 0 

5 0 

Metzler 3 0 

Coggins 2 6 

Parry ... 3 0 

Little...... 2 O 

Kial/mark 2 6 



C o*i Tan tulti 

Ditto, with accomp. . . 

Idomeneo 

Ditto, with accomp... 

11 Director... 

Ditto, with accomp. 

11 Do* 1 Giovanni 

Ditto, with accomp. . . 



iHojart ’0 (Pfoertures. 

A tfew and corrected Edition , with Flute and Violoncello Accompaniments. 



• • 



• • • 






• • • 



• • • 



• • 






• • • • 



• • • 



i. d. 



1 

2 

1 

2 

1 

2 



6 

6 

6 

6 

6 

6 



• • 



II Flauto Magico 

Ditto, with uccomp 

11 Seraglio 

Ditto, with uccomp.. 
La Clemenza di Tito . . . 

Ditto, with accomp.. 
Le Nozze di Figaro 

Ditto, with accomp 




8 



INSTRUMENTAL MUSIC. 



©bmurrs. 



** 11 Ratto di Proserpina," with accorop. 

for F. and Violoncello Little 

Bride of Abydos Kelly 

Caliph of Bagdad Lanza - 

Conquest of Taranto Kelly 

First Attempt Cooke 

Flodden Field Ditto 



*. d. | 

3 6 
2 0 
2 0 
2 0 
2 0 
2 0 



Florence Macarthy 

Frederick the Great 

Harlequin Whittington 

Medley 

Plots 

Successful Cruise 

Valley of Diamonds 



Cooke 

Ditto 

Ware 

Logier 

King 

Sanderson ...••••• 
Corri 



2 

2 

2 

2 

2 

2 

2 



O 

6 

o 

o 

ti 

o 



Foca Waltzes, “The Brandenburgh" 
“ The Bugle-Horn,*' " Lady Est- 
hers,** and “Coral Waltz,** composed 

Four Waltzes,* « Thi'w^-Hiii ” 
“ Clifton,** “ Castle Mahon,** and 
“ Charlemont,” by....... ....... 



M. Schoengen . . 
7*. Holt 






d. 

6 



National Waltz and Six others, as fl 

danced by the Misses Dennett, com- ^ ^ ^ 

posed by - 

Three Waltzes, “ The Cobourg, 1 ’ 

«« TKp Anudesea.” and “ 1 he Sarah _ \i 0re . 2 






g. 

4 



J. Power, has the honour to announce to the Nobility and Gentry, Subscribers to the Balls at Mmack is and U ™ Uas* season. 

Messrs. Mumd, Collinet, and Michau, the exclusive Copyright of all the Qu.dnlle. and * hU.c. compose y 

1 1th Set, with Flute Accomp., dedicated to the Duchess of s. d. 1 ^ p, |ltc Accomp., dedicated to Miss Seymour 

12th Set, with ditto, dedicated to Princess Esterhazy .... 4 0 f 6th Set, with ditto, dedicated to Lady Codrii g 

13th Set, with ditto, dedicated to Countess St. Antonio ..4 0 . . — . * „„Amn«niment, 

1 4th Set, with ditto, danced at the Juvenile Ball, Carlton Mi sard’s Waltzes, 6th Set, with Flute . 1 p . 

Palace and the Pavilion, Brighton ; composed by the | containing. The Sovereign, Duchess of Some rse , 

command, nnd with permission dedicated to His Most r \ Counters St. Antonio 

Gracious Majesty George the Fourth 4 0 cea# 



©ante* 



J. Power** Pocket Edition of Quadrilles, as danced at th € 
Argyle Rooms, Ahuack's, 4c., Books 1 to 7 ..each . . % 

J. Power's select Dances, Waltzes, £c., No. IV. containing 
“ Emerald Waltz** — “ Annot Lyle** — “ La Fete 
“ My - Hobby** — “ Auld Lnngsyne** — and “ PoVinh 
AV altz* 



O 



I O 



. % » 1 1 n AA\»"—" Gavotte de > e^m® 

^ 



... WuUzes. Quadrilles* §' c, » 

J . Power's Co\\ecnon on>>.nc-r ^''V Accon ,t>»mmeut . 

for 1820 , 1841, »"<l 1M*» w " 11 r 






f i. rf- 

yp ur rann.ng ... 3 

Jope told a flattering tale [[[ Bennett 3 



Jope told n flattering tale t» 

- es Belles Berg^res, with Harp Accoml 

pan i men t 

3itto, without Accompaniment . ” n:.. ’ * 

)K I.adv Fair Ditto.. 







Ov. “ II Tancredi** - 

Overture an.1 Selection, from 
' celebrated Opera “I! Ftaulo M^«-0 
arranged from the original score, uy 



Little 

. J. H. Little 






TSEW harp music. 



lianks of Allan Water . 

Krussels Waltz - - 

Cumbrian Youth - - 

Orink to me only with ihinoev ' ‘ 

llilton House . J ™ Melodic) . . - - 

and - 

* h r. ,ri5(i mA 



• o 



Chipp • 
Holden 
Parry . 
Weippert 
Chipp .... 
I Veippert .. 
Chipp .... 

Chipp 

Mus Dibdin 




rose 



My love is like the red, red 
Munich Waltz, &c 

thW 

SuitTow«. r th'e' (from the Iri.'h Melodie.) 

Sweet Richard 

*Tis the last Rose of Summer 
Venetian Air • 



# . . Hummell 
, Ditto . . . • 

. z>«« . . • 

Airs) Hummell 
.... Weippert 
.... Hummell 

.... Parry..- 

Chipp • 

. Hummell